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e da part of me...a jel cuo neko my reason isto starija pesma?
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lp_rox_girl
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Za tu nisam ni čula. :-/
Ima tako nekih pesama za koje sam pronašla textove na netu,a nemam pojma koje su... Verovatno neke baš stare stvari.
A Grey Daze? Skinula sam par pesama i baš su extra. Kad sam probala da nadjem album,svi su me gledali bledo u fazonu: "Grey Daze? Ko?!"
Maler...
Ima tako nekih pesama za koje sam pronašla textove na netu,a nemam pojma koje su... Verovatno neke baš stare stvari.
A Grey Daze? Skinula sam par pesama i baš su extra. Kad sam probala da nadjem album,svi su me gledali bledo u fazonu: "Grey Daze? Ko?!"
Maler...
lp_rox_girl
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Jesi li ti ikada bio zainteresovan za neku temu na kojoj si postovao,ili si uvek ovako pozitivno raspoložen?CobRa-SiC-:
Ja imam bukvalno sve sto je snimljeno u vezi sa LPom,sve sve sve,pa kazem,proveo sam 3-4 godine skupljajuci sve to sa neta....pa tako imam i 2 grey daze albuma o kojima sam pricao...kao i snimak sa audicije za Grey Daze na kojoj Chaz peva bez instrumenata sa 17 godina 
i od jaja je....a inace sve te redje stvari treba da trazis na LP fan sajtovima....oni to imaju...potrudi se,ako te to stvarno zanima,albumi se zovu Wake Me (prvi) i No Sun Today (drugi)...pa srecno...inace,My Reason nije pesma Linkin Parka,to je greska koja se cesto pravi,neki debil je to nakada tako nazvao i od tada se siri netom...
i od jaja je....a inace sve te redje stvari treba da trazis na LP fan sajtovima....oni to imaju...potrudi se,ako te to stvarno zanima,albumi se zovu Wake Me (prvi) i No Sun Today (drugi)...pa srecno...inace,My Reason nije pesma Linkin Parka,to je greska koja se cesto pravi,neki debil je to nakada tako nazvao i od tada se siri netom...
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lp_rox_girl:Jesi li ti ikada bio zainteresovan za neku temu na kojoj si postovao,ili si uvek ovako pozitivno raspoložen?
Štate briga... nećuti kažem...
lp_rox_girl
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E pa ni ne zanima me... njanjanjaCobRa-SiC-:
(e stvarno sam prolupala danas...valjda zato što je počela škola)
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Ne, negosu i tebi pubertecki brčići pustili žile do moždanih žila... pa eto...
lp_rox_girl
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Ma imam brdo toga od LP-a. Slike,spotovi,textovi,pesme... Neko bi pomislio da nisam normalna. Inače ne slušam isključivo njih i nisam zaluđena,jednostavno zaista cenim njihovu muziku. Pa isto ono što si rekao na prethodnoj strani,nema potrebe da ti prepričavamdkole:Ja imam bukvalno sve sto je snimljeno u vezi sa LPom,sve sve sve,pa kazem,proveo sam 3-4 godine skupljajuci sve to sa neta....pa tako imam i 2 grey daze albuma o kojima sam pricao...kao i snimak sa audicije za Grey Daze na kojoj Chaz peva bez instrumenata sa 17 godina
Inače nisam znala za to da će Bred imati solo? To je jedino što je nedostajalo albumima...super su im textovi,ali da ponekad i muziku dovedu do izražaja...
lp_rox_girl
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Biće da je to...CobRa-SiC-:
LPcrazy_girl
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Kerrang track by track MTM interview
WAKE
Mike: This is an intro track that starts the album - you can hear a needle going down on a record and i think it sets the tone for what's to come.
GIVEN UP
Brad: We had a really bad song called 'fire in the city' - the chorus actually had the words 'fire in the city' on it! Mike was the only person who liked it. rather than just scrap the song, we mined it for any good parts.
Mike: It felt like brad stole my car and ripped out the stereo.
Brad: I took the bassline and the drums and built weird sounds around it, which eventually became this song. Chester's screaming: 'What the **** is wrong with me? Put me out of my ******* misery!' so, without explaining exactly what the song's about, it's pretty clear he's not happy.
LEAVE OUT ALL THE REST
Chester: We knew this was going to be a single from the very beginning, so we worked really hard on making sure it had great lyrics. I'm singing 'Pretending someone else can save me from myself' during it because it's supposed to feel like an apology letter, as though i'm moving on but i want people to remember the good things and not the bad things. A lot of the song is about humility.
BLEED IT OUT
Mike: I wrote the lyrics to this about 100 times. it's always frustrating as a lyricist to come in with a new version that you spent hours on and have the band tell you that it's not there yet. in one case, they listened to my lyrics for 30 seconds and told me to start over again. that was pretty hard. it felt like i was bringing in the lyrics, getting punched in the face and then going back to the drawing board. When it finally came together i said to the band 'I don't think anyone but us could have made a song like this'. It's a ******* bizarre death-party-rap-hoedown!
SHADOW OF THE DAY
Brad: This was probably the most difficult arrangement to nail. It sounded very derivative at first but then we kept replacing different elements on it. We put an acoustic guitar on it, then an electric banjo and then a marimba. It’s definitely one of the best songs we’ve written.
WHAT I’VE DONE
Mike: on the other albums, Brad and I started every song together. But this was the only song we wrote together and the last one we finished. We wanted a song that encapsulated the feel of the whole record and I think this is that song. You’re going to get something different out of this every time you listen to it.
HANDS HELD HIGH
Mike: Rick said to us that, if something sounded like it needed rapping, then we should try singing and vice versa. That’s why this song has rapping on it.
Brad: a lot of the greatest accidents occurred when we combined elements that shouldn’t have worked together.
NO MORE SORROW
Rob: this is probably the heaviest song on the album. It was initially called ‘EBow idea’ Rick told Brad that he should use an EBow [guitar effect] on a different song. When he went in to work on that, he got frustrated and came up with the opening to this.
Chester: I think this is a record you should listen to on headphones because you’ll hear different things, this is a song that shows there is depth to this record.
VALENTINE’S DAY
Chester: It’s definitely one of the poppier songs on the album. We have to be very careful sometimes that we don’t lose the integrity of what we’re doing – we’re a very dark band and we like it like that. We talk about uncomfortable things and try to make you comfortable with that. We tried to do that here in a more poppy song and I really like that aspect of the album.
IN BETWEEN
Chester: I knew that Mike should really sing this song. I tried it once, I did a good job, but it just didn't have the power of Mike's performance because he really believed what he was singing. Whatever it is the motherfucker is apologising for on this track, he's ******* serious! It comes from the most sincere and heartfelt place.
IN PIECES
Chester: I got divorced recently and that was very difficult. I also got remarried so there was a big contrast in my life. For a while I couldn’t be completely happy with the new life I was starting and I couldn’t end the last one. This is a song about that. The music has a kind of reggae vibe to it, almost. It’s really cool watching how the song goes from that, through pop and emerges as a full-on rock song at the end.
THE LITTLE THINGS YOU GIVE AWAY
Brad: this is our favourite song on the record. It's the biggest statement that we've ever made. Nothing could go after it as everything would get eclipsed by it. The thing that really makes it is the guitar solo. Mike: Brad has always avoided solos because he doesn't like to show off. But when he played that solo, though, it was one of the most emotional moments we've recorded. It says what the lyrics are saying without words.
Zvuci zanimljivo! Drugacije od bilo cega sto su do sad radili!
WAKE
Mike: This is an intro track that starts the album - you can hear a needle going down on a record and i think it sets the tone for what's to come.
GIVEN UP
Brad: We had a really bad song called 'fire in the city' - the chorus actually had the words 'fire in the city' on it! Mike was the only person who liked it. rather than just scrap the song, we mined it for any good parts.
Mike: It felt like brad stole my car and ripped out the stereo.
Brad: I took the bassline and the drums and built weird sounds around it, which eventually became this song. Chester's screaming: 'What the **** is wrong with me? Put me out of my ******* misery!' so, without explaining exactly what the song's about, it's pretty clear he's not happy.
LEAVE OUT ALL THE REST
Chester: We knew this was going to be a single from the very beginning, so we worked really hard on making sure it had great lyrics. I'm singing 'Pretending someone else can save me from myself' during it because it's supposed to feel like an apology letter, as though i'm moving on but i want people to remember the good things and not the bad things. A lot of the song is about humility.
BLEED IT OUT
Mike: I wrote the lyrics to this about 100 times. it's always frustrating as a lyricist to come in with a new version that you spent hours on and have the band tell you that it's not there yet. in one case, they listened to my lyrics for 30 seconds and told me to start over again. that was pretty hard. it felt like i was bringing in the lyrics, getting punched in the face and then going back to the drawing board. When it finally came together i said to the band 'I don't think anyone but us could have made a song like this'. It's a ******* bizarre death-party-rap-hoedown!
SHADOW OF THE DAY
Brad: This was probably the most difficult arrangement to nail. It sounded very derivative at first but then we kept replacing different elements on it. We put an acoustic guitar on it, then an electric banjo and then a marimba. It’s definitely one of the best songs we’ve written.
WHAT I’VE DONE
Mike: on the other albums, Brad and I started every song together. But this was the only song we wrote together and the last one we finished. We wanted a song that encapsulated the feel of the whole record and I think this is that song. You’re going to get something different out of this every time you listen to it.
HANDS HELD HIGH
Mike: Rick said to us that, if something sounded like it needed rapping, then we should try singing and vice versa. That’s why this song has rapping on it.
Brad: a lot of the greatest accidents occurred when we combined elements that shouldn’t have worked together.
NO MORE SORROW
Rob: this is probably the heaviest song on the album. It was initially called ‘EBow idea’ Rick told Brad that he should use an EBow [guitar effect] on a different song. When he went in to work on that, he got frustrated and came up with the opening to this.
Chester: I think this is a record you should listen to on headphones because you’ll hear different things, this is a song that shows there is depth to this record.
VALENTINE’S DAY
Chester: It’s definitely one of the poppier songs on the album. We have to be very careful sometimes that we don’t lose the integrity of what we’re doing – we’re a very dark band and we like it like that. We talk about uncomfortable things and try to make you comfortable with that. We tried to do that here in a more poppy song and I really like that aspect of the album.
IN BETWEEN
Chester: I knew that Mike should really sing this song. I tried it once, I did a good job, but it just didn't have the power of Mike's performance because he really believed what he was singing. Whatever it is the motherfucker is apologising for on this track, he's ******* serious! It comes from the most sincere and heartfelt place.
IN PIECES
Chester: I got divorced recently and that was very difficult. I also got remarried so there was a big contrast in my life. For a while I couldn’t be completely happy with the new life I was starting and I couldn’t end the last one. This is a song about that. The music has a kind of reggae vibe to it, almost. It’s really cool watching how the song goes from that, through pop and emerges as a full-on rock song at the end.
THE LITTLE THINGS YOU GIVE AWAY
Brad: this is our favourite song on the record. It's the biggest statement that we've ever made. Nothing could go after it as everything would get eclipsed by it. The thing that really makes it is the guitar solo. Mike: Brad has always avoided solos because he doesn't like to show off. But when he played that solo, though, it was one of the most emotional moments we've recorded. It says what the lyrics are saying without words.
Zvuci zanimljivo! Drugacije od bilo cega sto su do sad radili!
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Pa, verovatnose ono više neprodaje tako dobro...
LPcrazy_girl
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Gde si ovo nasao? :shock: I ja imam sve zivo od njih ali na ovo nisam naisla!!dkole:
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- 3.762
ha...pa nemam ni ja.....nisam ni cula za to....mozda nadjem negde na netu
LPcrazy_girl
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Ja sam samo cula, pre jedno 3-4 god, za snimak kad je imao 2 godine i brat ga je snimio kako peva 'Hot Blooded' , mislim da je to od Foreigner-a 
Mada ga nigde nisam nasla.
Mada ga nigde nisam nasla.
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ma ne verujem da ces to sad negde i naci....bolje onda da nadjes od nekog ko vec ima
So.Sick.Of.It
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ja ih bas i ne slusham,ali im je dobra pesma _numb_LINKIN_RULES:Ja mislim da je Linkin park najbolja heavy metal grupa. Ima li ko da voli da ih slusa?
Oktobar1864
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da..najpoznatija stvar je uvek i najbolja jelda...
So.Sick.Of.It
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AKO se to na mene odnosi,znaj da sam slushala i ostale pesme (what Ive done,in The End,crawling...) ali mi se najvise svidja pesma numb!
LPcrazy_girl
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Ja ne bih rekla da im je to najpoznatija stvar!Oktobar1864:da..najpoznatija stvar je uvek i najbolja jelda...
hertz
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LPcrazy_girl:
nego koja??...ako je neka pjesma asocijacija na ovaj bend, onda je to numb.
lp_rox_girl
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Pre bih rekla da su im One Step Closer i In The End najpoznatije...hertz:
У сваком случају када помислим на Линкин парк прва асоцијација ми је песма In the end и албум Hybris theory (ваљда је тако; цео албум је пун хитова и не би сем На крају издвајао ни једну песму) а онда наравно и остале песме са Метеоре (попут Numb, somewehere I belong, faint...)...
LPcrazy_girl
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Apsolutno In the end! Secam se kad je pusten spot, nije bilo osobe koju sam poznavala a da nije znala tu pesmu!
Bllade
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meni su najdraze In the end, Numb i Crawling
zota85
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Skroz su dobri,kao i sve njihove pesme!!!
:-)
:-)