SEXUALNO OBRAZOVANJE

pitam se koliko se ovde ljudi sexaju i da li se sexaju uopshte..ok, svi smo neshto pogubljeni neki cesce ..neki redje u ovom beskrajno tupavom cyber svetu..ali izuzmimo cyber yebuckanje hehehe kradem rechi kojoticu..
jel' postoji neko ko se sexa svaki dan dva tri puta dnevno..onako bash redovno..lepo..propisana terapija..ne sme se izostaviti..propustiti..ili neshto jednom mesecno..poremeti se citava atmosfera..ili u nekoliko meseci vishe puta za dan..inspiracija..zivotinje su inspirativne...nekoliko malih kuchica trchkaraju jedni za drugim i njushe se tamo dole i svi su happy shto ce imati grupnjak hehehe..
deluje ovo miholjsko leto..primecujem da chike u 50im hvata klimax..
htedoh neshto o kegelovim, sinoc osta duzna..shta i kako..shta ce nam kegelove..pa tako..shta beshe anorgazmija i tralala..ljudi se venchavaju tako brzo ili se tako brzo skapiraju i kao ok za mesec dana to je to mi smo srodne dushe..chudno, ali nema veze..bolja varijanta je znamo se dva dana i idemo u las vegas..ili u vazduhu, skakanje iz aviona i ondak kad otvorimo padobrane daaaa hehehehe..dok nas smrt ne rastavi, a brzo ce..josh koji sekund..strashno..
 
Devilishgirl:
pitam se koliko se ovde ljudi sexaju i da li se sexaju uopshte..ok, svi smo neshto pogubljeni neki cesce ..neki redje u ovom beskrajno tupavom cyber svetu..ali izuzmimo cyber yebuckanje hehehe kradem rechi kojoticu..
jel' postoji neko ko se sexa svaki dan dva tri puta dnevno..onako bash redovno..lepo..propisana terapija..ne sme se izostaviti..propustiti..ili neshto jednom mesecno..poremeti se citava atmosfera..ili u nekoliko meseci vishe puta za dan..inspiracija..zivotinje su inspirativne...nekoliko malih kuchica trchkaraju jedni za drugim i njushe se tamo dole i svi su happy shto ce imati grupnjak hehehe..
deluje ovo miholjsko leto..primecujem da chike u 50im hvata klimax..
htedoh neshto o kegelovim, sinoc osta duzna..shta i kako..shta ce nam kegelove..pa tako..shta beshe anorgazmija i tralala..ljudi se venchavaju tako brzo ili se tako brzo skapiraju i kao ok za mesec dana to je to mi smo srodne dushe..chudno, ali nema veze..bolja varijanta je znamo se dva dana i idemo u las vegas..ili u vazduhu, skakanje iz aviona i ondak kad otvorimo padobrane daaaa hehehehe..dok nas smrt ne rastavi, a brzo ce..josh koji sekund..strashno..
Kliknite za proširenje...


Da pogodim? Ti si trenutno sama? :lol: Ne. Ne seksam se redovno. :roll: Treba imati mooda i to priznati. Sad će ovi šalabajzeri sa foruma udriti u samopropagandu kako se *ebu 24 puta na dan, ali boli me dupe...
 
iluzioni..nisam sama..oko mene mushkaraca trista..al' im glava nije chista hehehe..
kakve sad veze ima sex s tim..ili ima..hmm..mislicu o tome sutra..
ne trebaju ti mooda..dovoljno je da si covek, da se suochish sa bolnom istinom..to je prvi korak u izlechenju..priznavanje problema hehehe..sweet..

Pero..kegelove vezbe ne moze niko da ti pokaze, pogotovu ne mushko hehehe..to se samo moze objasniti...kama sutra moze..ne zezaj..

kad ste se zadnji put rukovali sa Desankom?
 
ajde..konachno..mada je jutro pametnije od vecheri a mene tako mrzi, mrzi me da kucam i da dishem ..uvlachim dim,grickam bombone, slusham komercijalu, patetika na nivou, shta je ostalo namazati se mlekom za telo, fizichki umor nadvladava psihicki, shtikle su cool, ok znamo da hodamo, al' gde bash shtikle za shetnju posle posla, kako to da se potrefi ****..evo opet sam krenula sa kegelom i palo mi na pamet neshto drugo..rasprostranjenije je nego ovo..neki pichkopacenici, samo ne znam jesu li zato shto im fali ili je to hronichno, mozda urodjeno, deformacija neka..tuzno..ono komentarisanje neko sebi u bradu ili kao tiha komunikacija dva bolida koji misle neshto, nije to bitno..ne znam shta sam pochela da pricham ..verovatno da bih se smorila hehehe..ali obozavam..dakle u toj situaciji tamo nekoj levoj pomislim ohh nee..ili tako neshto..onda se zamislim i realno sagledam i kao what the **** i dodje mi tako da odbrusim i neshto strashno kao na filmu ybt aj sad cu da ti zalepim shamar seljoberu nijedan jaooo stid da me sram ...gadno sam pomislila i gadno pogledala i verovatno mnoge uplashila tim pogledom, necu vishe jabuke mi na grani..
kada nestane sex.zelja, mada mi nije jasno kako bre to????? yeeeeee pa to je sex! kako da nestane zelja aman zaman hehehehe..ok..znachi nemojte se praviti da niko nije kriv nego talk talk talk..
 
Devilishgirl:
Desanka razbistruje um..lepo..drago mi je..pozdravi je..svaka cast hehehe..
ja nocas kad sam ishla da pishkim kao legla na ledja i htedoh neshto i kao aj' to neshto i krenem ja..i kako sam krenula preomislila sam se..setila sam se da nemam penis..bedak..
Kliknite za proširenje...

hahaha :lol: Katastrofa... :mrgreen: Yebi ga, još ćeš na kraju reći da je čika Frojd bio u pravu? 8)
 
jednostavne vezbe za mishice dna karlice..po doci dobile ime koji je pocheo da ih primenjuje u druge terapueutske svrhe vrlo su dobre za navikavanje tela na osecaj prijatnosti i zadovoljstva prilikom polnog odnosa..
treba ih sprovoditi svakodnevno, najmanje 3 puta uzastopno..

- lezite na krevet, noge lagano podignite i razmaknite mmmmm hehehehe..ok..dishite normalno, gurajte karlicu napred-nazad dok su ledja priljubljena uz krevet. ponovite 10 puta.

- lezeci kao i u prethodnom sluchaju, podignite donji deo ledja i karlicom vrlo polako opishite pun krug...ponovite 10 puta zdesna nalevo i 10 puta u suprotnom smeru..

- u istom lezecem polozaju stavite jastuchic medju kolena...stopala moraju celom duzinom da dodiruju podlogu...stavite ruchice na stomak, duboko udahnite pa izdahnitee stezuci snazno jastuk medju kolenima..zadrzite stisak 5 sekundi...malo se odmorite pa ponovite 10puta...

- i dalje ostanite u istom polozaju, opustite ramena i polozite dlanove na stomak..udahnite pa izdahnite stezuci shto je vishe moguce mishice dna karlice kao da zadrzavate mokracu...zadrzite kontrakciju 3-4 sekunde i opustite se..ponovite 10 puta..sretno vam bilo..
 
Ti si, duso, tolko lepa
Da se meni srce cepa
Pd ljubavi srce cepam
Srce cepam dok ne krepam
Ti si, duso, tolko divna
Sto-posto si pozitivna
Jos kad bi mi ribu dala
Ja bi tebi reko "Hvala"
Ti si, duso, tolko sjajna
Zato sto si radodajna
Budi dobra, otvori radnju
Budi spremna za saradnju
Ti si, duso, tolko slatka
Da mi odmah skace patka
Zedna patka svog zadatka
Pa se mota oko batka
Ja te prosto obozavam
Hocu da se razmnozavam
Samo s tobom
 
..
ali ljubav je strashna..gledala sam svoje prijateljice kako pate i ne bih zelela da i mene isto zadesi..
one koje su se ranije podsmevale meni i mojoj nevinosti, sada me pitaju kako uspevam tako veshto da vladam mushkarcima..na ta pitanja se samo smeshim i cutim, jer znam da je lek gori od samog bola..jednostavno, ne zaljubljujem se..
svakim danom sve vishe uvidjam koliko su mushkarci slabi, nestalni, nesigurni, nepredvidivi...chak su mi i ochevi nekih mojih drugarica predlagali ono shto sam redovno odbijala..u prvo vreme bila sam prenerazena, ali sad smatram da je to deo mushke prirode..
iako je moj cilj da otkrijem sushtinu ljubavi i premda patim zbog osoba kojima sam poklonila svoje srce, uvidjam da oni koji su dotakli moju dushu nisu uspeli da probude moje telo, a oni koji su doticali moje telo nisu uspevali da dosegnu do moje dushe..

ko je makar jednom izgubio neshto shto je imao, a smatrao neotudjivim posedom, shvati da mu zapravo nishta ne pripada...i ako nam vec nishta ne pripada, nemamo nikakve potrebe da gubimo vreme baveci se onim shto nije nashe...

ljubav je jedan od retkih dogadjaja na svetu koji mogu iz korena da promene zivot nekog coveka..i to u delicu sekunde...
ali postojala je i druga strana medalje, sila koja je mogla da navede svako ljudsko bice da krene u potpuno suprotnom smeru od nameravanog..ocajanje...da..mozda je ljubav imala moc da preobrazava ljude..ali ochajanje cini to isto..samo mnogo brze..
 
klekla sam, lagano mu skinula odecu i videla sam njegov polni organ tamo..usnuo..ne reagujuci..izgledao je kao da ne obraca paznju..poljubila sam ga s unutrasnje strane nogu..polni organ je poceo da reaguje..dotakla sam ga ..zatim ga stavila u usta i..bez zurbe..tako da to on ne razume kao poziv 'hajde spremi se da ebesh'..poljubila sam ga s neznoscu nekoga ko ne ochekuje nishta i upravo zbog toga nisam uspela..videh da postaje uzbudjen i poche da mi dodiruje bradavice..ostavljajuci me sa zeljom da ga ponovo imam medju svojim nogama ili u ustima da zelim i zudim da me poseduje...ni sako nije skinuo..postavio me grudima prema stolu, s nogama na podu..polako je ushao u mene..bez nevoze..bez straha da ce me izgubiti...osecala sam njegov organ u meni..njegove ruke na svojim dojkama..butinama..dodirujuci me kao shto samo jedna zena moze..tada sam shvatila da smo stvoreni jedno za drugo..jer je on uspeo da bude zena kao sada, a ja sam uspevala da budem mushkarac kada bismo razgovarali ili pochinjali razgovor dve izgubljene dushe, dva delica koja su nedostajala da bi se sklopila vaseljena..
njegov ud je bio nepomichan u meni, dok su njegovi pokreti bili brzi i ja sam imala prvi, a onda i drugi i treci orgazam zaredom...imala sam potrebu da ga odgurnem, bol zadovoljstva bila je toliko velika da me je povredjivala, ali sam izdrzala..prihvatila sam da je to tako, da mogu da izdrzim josh jedan orgazam ili josh dva..ili vishe..
i odjednom..neka svetlost je explodirala u meni..vishe to nisam bila ja vec neko bice beskonacno superiorno u odnosu na sve shto sam do tada poznavala...on se kretao sve brze, bol se mesala sa zadovoljstvom..mogla sam da kazem 'ne mogu vishe da izdrzim', ali to ne bi bilo tachno..on i ja smo bili ista osoba..
dozvolila sam mu da ostane u meni onoliko vremena koliko je bilo potrebno..njegovi nokti sada su bili zariveni u moje butine, a ja tamo potrbushke, na kuhinjskom stolu, misleci da nije bilo boljeg mesta na svetu da se vodi ljubav...
i ponovo shkripanje stola..sve brze disanje..nokti koji mi smetaju..moj polni organ udarajuci snazno u njegov...meso s mesom..kost s kosti..ponovo sam bila pred orgazmom..i on je..i nishta od toga..nishta od toga nije bila laz..osetila sam da moje telo malaksava..vishe nisam chula..videla...samo sam osecala...a onda je izashao iz mene..smejao se..osetila sam svoj polni organ kako se grhi..okrenula sam se prema njemu i pochela i ja da se smejem..i zagrlili smo se kao da smo prvi put u nashim zivotima vodili ljubav..
 
Devilishgirl:
.vishe to nisam bila ja vec neko bice beskonacno superiorno u odnosu na sve shto sam do tada poznavala...on se kretao sve brze, bol se mesala sa zadovoljstvom..mogla sam da kazem 'ne mogu vishe da izdrzim', ali to ne bi bilo tachno..on i ja smo bili ista osoba..
Kliknite za proširenje...

Ovo ima malo tantrički prizvuk. Čini mi se da ni ti nisi baš nevinašce što se tiče proučavanja istočne seksualne filozofije... :?
 
Devilishgirl:
..
ali ljubav je strashna..gledala sam svoje prijateljice kako pate i ne bih zelela da i mene isto zadesi..
one koje su se ranije podsmevale meni i mojoj nevinosti, sada me pitaju kako uspevam tako veshto da vladam mushkarcima..na ta pitanja se samo smeshim i cutim, jer znam da je lek gori od samog bola..jednostavno, ne zaljubljujem se..
svakim danom sve vishe uvidjam koliko su mushkarci slabi, nestalni, nesigurni, nepredvidivi...chak su mi i ochevi nekih mojih drugarica predlagali ono shto sam redovno odbijala..u prvo vreme bila sam prenerazena, ali sad smatram da je to deo mushke prirode..
iako je moj cilj da otkrijem sushtinu ljubavi i premda patim zbog osoba kojima sam poklonila svoje srce, uvidjam da oni koji su dotakli moju dushu nisu uspeli da probude moje telo, a oni koji su doticali moje telo nisu uspevali da dosegnu do moje dushe..

ko je makar jednom izgubio neshto shto je imao, a smatrao neotudjivim posedom, shvati da mu zapravo nishta ne pripada...i ako nam vec nishta ne pripada, nemamo nikakve potrebe da gubimo vreme baveci se onim shto nije nashe...

ljubav je jedan od retkih dogadjaja na svetu koji mogu iz korena da promene zivot nekog coveka..i to u delicu sekunde...
ali postojala je i druga strana medalje, sila koja je mogla da navede svako ljudsko bice da krene u potpuno suprotnom smeru od nameravanog..ocajanje...da..mozda je ljubav imala moc da preobrazava ljude..ali ochajanje cini to isto..samo mnogo brze..
Kliknite za proširenje...
Ochajanje(i razocarenje) ih vraca u ljusturu iz koje nikada ne bi izasli da nije ljubavi.


 
Jesmo li pisali o visokim potpeticama? Malo i jesmo... Ali ne dovoljno. Za sada samo prenosim tekst sa jednog sajta (preneću ih i još ako nam se ne pobuni autorka teme, mada sumnjam), ali imam u planu i pisanje svog sopstvenog "eseja" o visokim potpeticama... Dakle, ako ne znate engleski, uskoro i na srpskom. Doduše mislim da ima i jedan tekst na srpskom negde na netu... Videćemo. Ako nađem.... Postujem.

scroll1.jpg


  • Approx. 4000 B.C.
    Earliest depictions of shoes (flexible leather pieces held in place with lacings) in ancient Egyptian murals on tombs and temples.
  • Approx. 200 B.C.
    Platform sandals called kothorni, with high wood or cork soles, become popular among Roman tragic actors.
  • Approx. 1000 A.D.
    At Saxon weddings, father of the bride customarily presents the groom with one of the bride's shoes, symbolizing transfer of his authority over her. The bride's shoe is thrown to the bridesmaids; the one who catches it will be next to marry.
  • 1154-1189
    King Henry II of England popularizes shoes with narrow, pointed toes. Legend says they hid his deformed toes.
  • 1189-1199
    Knights of Richard the Lionhearted begin to wear sollerets, downward-curving pointed toes, to keep their feet from slipping out of stirrups.
  • 1215
    A law passed in Paris bans university professors from wearing shoes with long, pointed toes. However, shoe toes, a symbol of rank, grow longer and pointier during the next two centuries, culminating by about 1382 in the spiky-toed cracowe. Kings and princes sometimes wore toes 30 inches long.
  • 1386
    Knights fighting in the Battle of Sempach in Switzerland are forced to amputate their shoes' long toes after dismounting before they can advance on foot.
  • Approx. 1500
    Shoes begin to be made in two pieces, with a flexible upper attached to a heavier, stiffer sole. This leads to the introduction of the heel, devised as a better way of keeping a rider's foot in the stirrup. Heeled boots for men quickly become fashionable.
  • 1509-1547.
    Henry VIII of England favors wide-toed shoes, sometimes 12 inches across, which had to be stuffed to keep them on his feet.
  • 1533
    Short-statured Italian bride Catherine d'Medici, married at 14 to the Duke of Orleans, wears shoes with two-inch heels to exaggerate her height. The high heel may have been invented by Leonardo da Vinci (1452-1519).
  • 1553-1558
    Mary Tudor ("Bloody Mary"), another vertically challenged monarch, wears heels as high as possible. From this period until the early 19th century, high heels are frequently in vogue for both sexes.
  • Mid-1500s
    An extreme shoe style called chopines, popular among women in Italy, Spain and France, had pedestals of cork or wood as tall as 24 inches. A Venetian lady wearing chopines needed two servants to help her in and out of a gondola.
  • 1628
    Pilgrims arrive in the Massachusetts Bay Colony. A law is passed prohibiting "excess in bootes."
  • 1660
    French shoemaker Nicholas Lestage, so clever at his trade that some accuse him of sorcery, becomes shoemaker to Louis XIV. The heels of Louis's shoes, some decorated with miniature battle scenes, are as tall as five inches. High "Louis" heels are also fashionable for ladies.
  • 1745
    Madame de Pompadour, tiny-footed favorite of Louis XV, popularizes high, narrow "Pompadour" heels. Ladies tape their feet to reduce their apparent size and faint at court.
  • 1793
    Marie Antoinette ascends the scaffold to be executed wearing two-inch heels. However, in the wake of the French Revolution heels become lower than at any time in the 18th century.
  • 1794
    Quincy Reed opens America's first retail shoe store in Boston. Around this period, Marc Isambard Brunel (1769-1849) invents machines for cutting soles and riveting them to uppers.
  • Early 1800s
    Flat shoes and Grecian-style sandals become popular.
  • Approx. 1865
    The "sneaker" or plimsoll, a canvas-topped, rubber-soled shoe, is invented for badminton and tennis. Ladies' heel heights vary but stay below two inches during the rest of the century.
  • 1904
    The ladies' "pump" or court shoe, a British invention, reaches America. Shoe stores begin to stock shoes with a range of widths around now.
  • Approx. 1955
    Tall "stiletto" heels for women's shoes, invented in Italy, become a fashion rage. Very pointed toes come into vogue for both sexes.
  • 1970s
    Return of the platform shoe.
  • 1980s
    Athletic shoes diversify and gain popularity. Some women begin wearing them to work or for commuting.

scroll2.jpg
 
I još malo. ;)

THE HISTORY OF HIGH HEELS I

tn22.jpg
tn14.jpg
tn08.jpg
tn01.jpg
tn03.jpg


The origin of the high heel goes back many centuries in history. The first precursors of stiletto heels were discovered in a tomb of Tebas in Old Egypt, and date from 1000 BC. These heels possibly provided a high social status to those who wore them.

The idea prevailed in Old Greece, where Esquilo, the first great Greek theatrical author mounted his actors on platform shoes of differing heights to indicate each character's social status. The same idea existed in the East. The Japanese emperor Hirohito was crowned in 1926 on platform shoes with a height of 30 cm.
High heels are associated with sex. Japanese courtiers had clogs of 15 to 30 cm, Chinese concubines and Turkish odalisques had high sandals possibly to prevent them from escaping from the harem, and prostitutes of Old Rome were identified by their high heels.

The modern European fashion of the high heel comes from the Italian "chapiney" or "chopine" style: mounted shoes on a 15 to 42 cm high cylinder. Some reached 75 cm and the ladies who wore them had to lean on sticks so that they could walk.

In 1430 chopines were prohibited in Venice, but nothing could stop the trend. The invention of the high heel is attributed to Catherine of Medici in Paris, in the 16th century, who used them due to her short stature, and soon introduced them into fashion amongst the European aristocracy.


In the 17th century, the English Parliament punished as witches all women who used high heels to seduce men into marrying them. In his biography, the famous Giovanni Casanova declared his love for high heels, which raised women's hoop skirts, thus showing their legs.


In the 19th century, high heels were introduced into the USA, imported from brothels in Paris because of the success they had had amongst the clientele who preferred to hire the services of prostitutes who wore these heels.

Designer shoes didn't exist as such before the 20th century, it was more an activity within the modest shoemaker profession.
The industry of mass-production of footwear had its beginnings in the USA, where what began as a family activity of colonists from New England, ended in the appearance of the first shops in the middle of the 18th century.

The tradition of handmade shoes, like the famous designer, is to a great extent a European phenomenon, in countries such as England and Italy. Also in France, where footwear design was intimately related to dressmaking, whose Parisian industry was founded by the Englishman Charles Frederick Worth in 1858, and it was the first of prominence in the world of fashion, to the point where he dressed the whole of European royalty.
 
THE HISTORY OF HIGH HEELS II

tn04.jpg
tn11.jpg
tn29.jpg
tn18.jpg
tn05.jpg
tn07.jpg
tn13.jpg


Around the shops of Worth other fashion houses arose, such as Paquin, Chernit and Doucet, which transformed Paris into the world capital of fashion. Some shoemakers who worked for these houses became independent and worked as designers. Among them, Pinet in particular arrived in Paris in 1855 to work with the house of Worth, and created the heel that has his name, finer and straighter than the popular "Louis". Another outstanding creator was Pietro Yanturni who called himself "the most expensive shoemaker in the world", with an exclusive clientele of only 20 clients, and whose shoes are actually being exhibited at present in the Metropolitan Museum of Art of New York. Andre Perugia followed him. His shoes are exhibited in the Musee de la Chaussure, in Romans, France.

In 1900 there were still reminders of the previous century. It was still considered indecent for a woman to show her naked extremities. Comfort prevailed in detriment to style, which was relegated to the privacy of the home. In public, tight and buttoned boots were worn.

This changed after the First World War. With the improvement of the economy, the ribbon shoe arrived with its pointed toes and high heels of the "Louis" type. There was an explosion of colour and high heels were even used for dancing.

The Thirties brought the Great Depression and had its repercussions on fashion. Heels became lower and wider. Walking boots competed with sandals that ended the influence of lounge shoes, whose pointed toes and heels could not be exposed.
 
THE HISTORY OF HIGH HEELS III

tn30.jpg
tn23.jpg
tn21.jpg
tn16.jpg
tn15.jpg
tn20.jpg
tn34.jpg


In the Twenties and Thirties some academic women condemned high heels, but it was during the Second World War that they were in real danger due to the rationing of leather. The Italian shoe designer Salvatore Ferragamo found the solution by developing the wedge-shaped cork platform. This became fashionable after the war, when more elegant designs were demanded.
Salvatore Ferragamo had exported handmade women's footwear to the USA in 1914, where he finally became known as the movie stars' shoemaker. The Englishman, David Evins, would later in the Forties continue the work of Ferragamo in North America, creating fashion collections for the most famous New York designers (Bill Blass, Oscar de la Renta).

Ferragamo, Andre Perugia and Charles Jourdan competed to develop the finest and most elegant heel, but, in production, they could not use brittle wood or soft materials that could not support the weight of a woman. Several designers devised a steel pin covered with plastic, to overcome the problems in the strength of the heels. The Italians Del Co and Albanese designed an evening sandal with two tiny ribbons and a low heel under the arch of the foot. Roger Vivier, who worked for Christian Dior in Paris, improved the heel, giving it the form of a comma and took the credit for the invention of the stiletto heel in 1955.

However, while the French didn't have competition with their clothes, the Italians were masters of the mass-production of footwear, that they also exported to the USA. Thanks to the contacts of Ferragamo with Hollywood, these shoes became very popular amongst the Hollywood stars in the Fifties (Jane Mansfield had more than 200 pairs). The stiletto heel was now a synonym of "sex appeal".

Nevertheless, the medical profession blamed the high heel shoe for all types of problems, not only health (juvenile delinquency, for example).
 
THE HISTORY OF HIGH HEELS IV

tn10.jpg
tn27.jpg
tn32.jpg
tn33.jpg
tn12.jpg
tn02.jpg


In the Sixties, the transfer of fashion from Paris to London began, and street style dictated what was worn. With rising prices of leather, synthetic materials came into the picture. Vivier, Herbert Levine and Miller were pioneers in the use of the transparent plastic.

At the beginning of the Seventies platforms briefly returned, especially extravagant platform boots. Many were thigh high and had psychedelic designs. It was the androgynous style of "Glam Rock". It was the designer Terry de Havilland who popularised them, and found followers not only amongst women, but also amongst gays and lesbians.

In the Eighties, executive women adopted the stiletto heel as a complement to the shoulder pads of their suits, to project an image of authority and efficiency. High heels symbolised extravagance and glamour; a way for women to express femininity.
 
THE HISTORY OF HIGH HEELS V

tn38.jpg
tn36.jpg
tn39.jpg
tn09.jpg
tn17.jpg
tn19.jpg
tn37.jpg


In the last decade of the 20th century, platforms reappeared at the hands of Vivienne Westwood and Jean-Paul Gaultier. In the Nineties, previous ideas were recycled. Just like the dressmaker, the shoe designer is a star, with Manolo Blahnik as the greatest exponent, and, as in the previous decade, the brand name is the most important thing.

Nowadays, a new generation of footwear designers exists, requested by clients and dress designers, and probably in the future this will also be the case for museums.

As well as the above-mentioned Manolo Blahnik, shoes by Joan Halpern, Maud Frizon, Beth and Herbert Levine, Andrea Pfister, Jan Jansen, Patrick Cox and Christian Louboutin, will some day be appreciated as authentic works of art.

Technology has brought new materials (microfibre, elastic fabrics,...) and it has improved the process of production, which seems to point to the fact high heels will probably be around for a long time.
 
Prijavite se ili registrujte da biste poslali poruku.

Back
Top