Metallica

  • Začetnik teme Začetnik teme 135tt
  • Datum pokretanja Datum pokretanja

Metallica - The Best Instrumental

  • Orion

    glasova: 6 33,3%
  • (Anesthesia) Pulling Teeth

    glasova: 4 22,2%
  • The Call of Ktulu

    glasova: 8 44,4%

  • Ukupno glasova
    18
  • Anketa je zatvorena .
-MetalMaster-:
Uopste nije bitno da li imaju dugu ili kratku kosu... To je Metallica...
Mislim da je to dovoljno...

Na tebe sam mislila....mislim, da imas super avatar :D

Slazem se sa ovom izjavom....Uvek su super!!! Bili oni uredno osisani ili cupave zveri...Metallica ce uvek biti Metallica...
 
Does two acoustic gigs in our hometown mean that we're sick of the studio again? Nah . . . not really . . . but we are honored that we have been invited to appear at the annual Bridge School Benefit concerts. Held on October 27 and 28, 2007 at Shoreline Ampitheatre in Mountain View, CA, this will be our second time participating in the all acoustic shows, and the 21st year that the benefit has been held in the Bay Area.

As usual, the line-up is stellar and we're looking forward to seeing Tom Waits, Eddie Vedder (with Flea & Jack Irons), John Mayer, of course Neil Young, and others perform those days. Tickets are on sale this Sunday, September 9, 2007 at 10:00 AM and for more details, please see the official press release below. Met Club members should check www.metclub.com for Clubber pre-sale information.

Started by Neil and Peggy Young, the Bridge School is a non-profit organization assisting individuals with severe speech and physical impairments achieve full participation in their communities and is an internationally recognized leader in the education of children who use augmentative and alternative communication. The annual benefit concerts provide the majority of the funding for the school's operation. For more information, check out http://www.bridgeschool.org/

Full Press Release: Tickets for the 21st Annual Bridge School Benefit are onsale THIS SUNDAY, September 9th at 10am at Livenation.com and all Ticketmaster outlets including Ritmo Latino, select FYE stores and Tix Bay Area in Union Square. Tickets are available with no service charge at the Shoreline Amphitheatre Box Office for the onsale date and on Sundays from 10am to 2pm. Call (415) 421-TIXS, (510) 625-TIXS, (408) 998-TIXS, (925) 685-TIXS, (707) 528-TIXS, (916) 649-TIXS or (209) 551-TIXS to charge by phone. Advance tickets are $150.00 and $75.00 for reserved seating and $39.50 for general admission plus applicable service charges. There is a 2 ticket limit for reserved seats and 8 ticket total purchase limit for these shows.



There are a limited number of lower level reserved seats available via auction at Ticketmaster.com beginning September 9th at 10am. Proceeds from these auction tickets will benefit the Bridge School.
 
In a brand new article published in this past weekend's edition of the New York Times magazine, co-head of Columbia Records Rick Rubin spoke about his work as a producer for such bands as Metallica, Linkin Park and Red Hot Chili Peppers.

Whenever he agrees to produce an album, Rubin scrutinizes the songs before going into the studio. Rubin works slowly — it can take him years to finish an album. "A lot of that is because of the songs," Rubin explained. "I try to get the artist to feel like they are writing songs for the ages rather than songs for an album. As they write, they come over and play the songs for me. For some reason, most people will write 10 songs and think, That's enough for a record, I'm done. When they play the songs for me, invariably the last two songs they've written are the best. I'll then say, 'You have two songs, go back and write eight more.'"


His responses are instant, specific and constructively definitive. In the early Metallica sessions, Rubin has been exacting about different drum sounds. "Lars" — Ulrich, the drummer — "will play two things for me, and I'll say, 'This one is great and that one is terrible,'" Rubin recalled. "Lars will say: 'How do you know? They both sound good to me.' Well, I just know. The right sound reaches its hand out and finds its way. So much of what I do is just being present and listening for that right sound."
 

Back
Top