Tetovaže emotivci ili grubijani?

poetessa

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Šta se krije iza likova koji su prekriveni sleeve or full body tetovažama?
Da li mislite da se radi o emotivcima ili grubijanima (mačo muškarcima) koji pretežno izražavaju svoj stav, pripadanje možda nekoj ideji, grupi.
Naravno takođe šta mislite o ženskim pripadnicama...da li vam se to sviđa?

Da li tetovaža može da pojača ono što jesmo, da nadogradi deo naše ličnosti.
Pitam se ko se u stvari krije iza tetovaže? Hajd' sad vi :)
 
naci pazi ti koja je to pudlica ,ono iz aviona se vidi kad mi mu lupio jednu vaspitno popravnu da bi kevko 3 dana
tattoo_tommy_lee_tattoos-1.jpg
 
...tetoviranje je narcisoidno nadogradjivanje sebe jer još nijesmo sigurni u to da se svijet okreće oko nas...
...imati na sebi nekakav znak kao voljni nadomjestak je sigurno nemoguće...moguće je samo nezrelo ili umišljeno dodavanje sebi
karike koja bi trebala da nedostaje ili vizuelni adut ko smo u trenutku jer tetovaže na nevidnim mjestima i na vidnim su sasvim različitog karaktera i poruke...
 
Šta se krije iza likova koji su prekriveni sleeve or full body tetovažama?
Da li mislite da se radi o emotivcima ili grubijanima (mačo muškarcima) koji pretežno izražavaju svoj stav, pripadanje možda nekoj ideji, grupi.
Naravno takođe šta mislite o ženskim pripadnicama...da li vam se to sviđa?

Da li tetovaža može da pojača ono što jesmo, da nadogradi deo naše ličnosti.
Pitam se ko se u stvari krije iza tetovaže? Hajd' sad vi :)

volim na ženskom telu da vim neku suptilnu tetovažicu...napaljujuće mi deluje...
a ovi muškarci celi istetovirani...pa jadnici...šta drugo...ok ideja i to, al da celo telo istetoviram...:I pa kakva je to ideja...
 
Crtanje po telu odavno postoji, verovatno bi neki istoricar umetnosti mogao to bolje da objasni od mene..

Lep crtez, tet je okej, mali koji ima neko znacenje, ja licno nemam tet. Nekako mi je bilo zao da crtam po telu. Mada desi se da zapazim da mi se na nekome svidja, cesce na zenama.

Kad neko ima gomilu tetovaza to mi je van svake pameti.
 
I jos jedna stvar. Danas se retko moze naci zenka a da nije na svoje telo stavila dozivotne slike. Mene to odbija i iskreno, videti zenu a da je istoj na dupetu nacrtano srce ili nesto drugo poput leptira u meni izaziva da je u to dupe sutnem..... jer da je leptir bila bi leptir i da je drvo bila bi drvo, ne bi na svoje ruke crtala zbunje i granje.

To je moje vidjenje a tako misli i strucna javnost, neka se istetovirana gospoda ne uvrede i neka zbog ovog stava koji sam izneo jos ranije na temi koja postoji uz jos nekoliko koje se bave zigovima, da prestanu sa uvredama kako su radili do sada a sve zbog razlicitosti pogleda datih fenomena.
 
Humans have marked their bodies with tattoos for thousands of years. These permanent designs—sometimes plain, sometimes elaborate, always personal—have served as amulets, status symbols, declarations of love, signs of religious beliefs, adornments and even forms of punishment. Joann Fletcher, research fellow in the department of archaeology at the University of York in Britain, describes the history of tattoos and their cultural significance to people around the world, from the famous " Iceman," a 5,200-year-old frozen mummy, to today’s Maori.What is the earliest evidence of tattoos?
In terms of tattoos on actual bodies, the earliest known examples were for a long time Egyptian and were present on several female mummies dated to c. 2000 B.C. But following the more recent discovery of the Iceman from the area of the Italian-Austrian border in 1991 and his tattoo patterns, this date has been pushed back a further thousand years when he was carbon-dated at around 5,200 years old.

What function did these tattoos serve? Who got them and why?
Because this seemed to be an exclusively female practice in ancient Egypt, mummies found with tattoos were usually dismissed by the (male) excavators who seemed to assume the women were of "dubious status," described in some cases as "dancing girls." The female mummies had nevertheless been buried at Deir el-Bahari (opposite modern Luxor) in an area associated with royal and elite burials, and we know that at least one of the women described as "probably a royal concubine" was actually a high-status priestess named Amunet, as revealed by her funerary inscriptions.
And although it has long been assumed that such tattoos were the mark of prostitutes or were meant to protect the women against sexually transmitted diseases, I personally believe that the tattooing of ancient Egyptian women had a therapeutic role and functioned as a permanent form of amulet during the very difficult time of pregnancy and birth. This is supported by the pattern of distribution, largely around the abdomen, on top of the thighs and the breasts, and would also explain the specific types of designs, in particular the net-like distribution of dots applied over the abdomen. During pregnancy, this specific pattern would expand in a protective fashion in the same way bead nets were placed over wrapped mummies to protect them and "keep everything in." The placing of small figures of the household deity Bes at the tops of their thighs would again suggest the use of tattoos as a means of safeguarding the actual birth, since Bes was the protector of women in labor, and his position at the tops of the thighs a suitable location. This would ultimately explain tattoos as a purely female custom.
Who made the tattoos?
Although we have no explicit written evidence in the case of ancient Egypt, it may well be that the older women of a community would create the tattoos for the younger women, as happened in 19th-century Egypt and happens in some parts of the world today.


What did these tattoos look like?
Most examples on mummies are largely dotted patterns of lines and diamond patterns, while figurines sometimes feature more naturalistic images. The tattoos occasionally found in tomb scenes and on small female figurines which form part of cosmetic items also have small figures of the dwarf god Bes on the thigh area.
What were they made of? How many colors were used?
Usually a dark or black pigment such as soot was introduced into the pricked skin. It seems that brighter colors were largely used in other ancient cultures, such as the Inuit who are believed to have used a yellow color along with the more usual darker pigments.
What has surprised you the most about ancient Egyptian tattooing?
That it appears to have been restricted to women during the purely dynastic period, i.e. pre-332 B.C. Also the way in which some of the designs can be seen to be very well placed, once it is accepted they were used as a means of safeguarding women during pregnancy and birth.
Can you describe the tattoos used in other ancient cultures and how they differ?
Among the numerous ancient cultures who appear to have used tattooing as a permanent form of body adornment, the Nubians to the south of Egypt are known to have used tattoos. The mummified remains of women of the indigenous C-group culture found in cemeteries near Kubban c. 2000-15000 B.C. were found to have blue tattoos, which in at least one case featured the same arrangement of dots across the abdomen noted on the aforementioned female mummies from Deir el-Bahari. The ancient Egyptians also represented the male leaders of the Libyan neighbors c. 1300-1100 B.C. with clear, rather geometrical tattoo marks on their arms and legs and portrayed them in Egyptian tomb, temple and palace scenes.
The Scythian Pazyryk of the Altai Mountain region were another ancient culture which employed tattoos. In 1948, the 2,400 year old body of a Scythian male was discovered preserved in ice in Siberia, his limbs and torso covered in ornate tattoos of mythical animals. Then, in 1993, a woman with tattoos, again of mythical creatures on her shoulders, wrists and thumb and of similar date, was found in a tomb in Altai. The practice is also confirmed by the Greek writer Herodotus c. 450 B.C., who stated that amongst the Scythians and Thracians "tattoos were a mark of nobility, and not to have them was testimony of low birth.”
Accounts of the ancient Britons likewise suggest they too were tattooed as a mark of high status, and with "divers shapes of beasts" tattooed on their bodies, the Romans named one northern tribe "Picti," literally "the painted people."
Yet amongst the Greeks and Romans, the use of tattoos or "stigmata" as they were then called, seems to have been largely used as a means to mark someone as "belonging" either to a religious sect or to an owner in the case of slaves or even as a punitive measure to mark them as criminals. It is therefore quite intriguing that during Ptolemaic times when a dynasty of Macedonian Greek monarchs ruled Egypt, the pharaoh himself, Ptolemy IV (221-205 B.C.), was said to have been tattooed with ivy leaves to symbolize his devotion to Dionysus, Greek god of wine and the patron deity of the royal house at that time. The fashion was also adopted by Roman soldiers and spread across the Roman Empire until the emergence of Christianity, when tattoos were felt to "disfigure that made in God's image" and so were banned by the Emperor Constantine (A.D. 306-373).
We have also examined tattoos on mummified remains of some of the ancient pre-Columbian cultures of Peru and Chile, which often replicate the same highly ornate images of stylized animals and a wide variety of symbols found in their textile and pottery designs. One stunning female figurine of the Naszca culture has what appears to be a huge tattoo right around her lower torso, stretching across her abdomen and extending down to her genitalia and, presumably, once again alluding to the regions associated with birth. Then on the mummified remains which have survived, the tattoos were noted on torsos, limbs, hands, the fingers and thumbs, and sometimes facial tattooing was practiced.
With extensive facial and body tattooing used among Native Americans, such as the Cree, the mummified bodies of a group of six Greenland Inuit women c. A.D. 1475 also revealed evidence for facial tattooing. Infrared examination revealed that five of the women had been tattooed in a line extending over the eyebrows, along the cheeks and in some cases with a series of lines on the chin. Another tattooed female mummy, dated 1,000 years earlier, was also found on St. Lawrence Island in the Bering Sea, her tattoos of dots, lines and hearts confined to the arms and hands.
Ispade da su drevni imali vise smisla prilikom tetoviranja.
 
Emotivne i nesigurne osobe sklone bezobrazluku
i drcnosti.
Kao,sto mnogi kazu NEDOSTATAK ,koji im fali da bi sebe
nadogradili.
Naravno ,opet je glupo generalizovati sve osobe ,ali vecina je takva.
Od ,moje supruge brat tetovirao je kako oni kazu zmaja na nozi(LIST)
seljacina uvek podize jednu nogavicu da se vidi tetovaza ,koja je sve samo
zmaj nije,a druga nogavica je spustena.
Pa,ipak ne oseca se smekerom ,ako ne podigne nogavicu ,da svi vide:dash:
 
Pošto se sad svi tetoviraju (čak i Neša apotekar :) koristim priliku da ga spomenem) tetoviranje ne bih podvodila pod sklonost određenih tipova ličnosti.
Ipak, pored navedene emotivnosti, mačizma, ili nesigurnosti, možda treba dodati i mazohizam. Možda, ali ovakvoj pojavi ne treba pridavati značaj jer je samo deo modnog talasa. Uz to, neko tetovažom misli da može da šokira okolinu.:roll:
 
Šta se krije iza likova koji su prekriveni sleeve or full body tetovažama?
Da li mislite da se radi o emotivcima ili grubijanima (mačo muškarcima) koji pretežno izražavaju svoj stav, pripadanje možda nekoj ideji, grupi.
Naravno takođe šta mislite o ženskim pripadnicama...da li vam se to sviđa?

Da li tetovaža može da pojača ono što jesmo, da nadogradi deo naše ličnosti.
Pitam se ko se u stvari krije iza tetovaže? Hajd' sad vi :)

Tetovaze me fasciniraju(iako sam udata za coveka koji ih se potpuno i apsolutno grozi) tako da je nekako prihvatio moje.Imam ih dve i ne mislim da time nesto krijem ili potenciram,niti ja ,niti bilo ko drugi ko ih ima.
Nesto mislim,da mi nije on muz vec neko slican meni po tom pitanju vec bih bila kao Ket Von Di.
Ako i jeste neki poremecaj,evo uspesno zivim s'njim vec 40 godina,tako da ove mladje curice kojima se dopadaju tetovaze,ne treba da se plase da su obolele od ko zna cega,niti da imaju neki ozbiljan problem.
 
Ja sam postavila temu jer smo ja i drugar pričali o nekim ljudima koje poznajemo, i koji na izgled upadaju u oči, jer su tetovaže na vidnom mestu (vrat i glava),
došli do zaključka da su oni najčešće emotivci (zeza ih emotivni život i odnosi sa bližom i daljom okolinom). Pa sam se pitala šta pokrivaju tolikim tetovažama?
A možda je to samo vid umetnosti a preterivanje je dozvoljeno, uostalom sam svoje remek delo?
 
Ne znam za vas, ali ja ne volim trajna obelezja na svom telu.
Tetovaze mogu biti lepe na nekim ljudima i nekim mestima, dok je sve to umereno.

A emotivci i grubijani, pa zavisi sta ko tetovira neko ko tetovira "Ubi me prejaka rec" ili tako neki stih cisto sumnjam da je grubijan, dok vec tetoviranje ajkule za lobanjom u celjustima i sl, daje drugaciju sliku, mada ne mora da znaci.
 

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