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Očigledno je taj pop Crespi imao replike mesopotamskih reljefa i skulptura, urađene kao odlivke sa originala (u bronzi?). U uvodnom postu, desno je dat mesopotamski reljef, a levo Crespijev odlivak drugog mesopotamskog reljefa koji se unekoliko razlikuje od prvog pa se stiče utisak podražavanja istog motiva na različitim, veoma udaljenim lokacijama.
Father Who?
Father Krespi’s background is also mysterious. Krespi claimed he was from an Italian/Austrian family in Northern Italy. He came to the Vatican in fall of 1943. There, he attended seminary and served as a Novitiate. Later, he was ordained into the priesthood. All this was behind the closed walls of the Vatican. Unheard at the time, and has never been repeated since. He never set foot outside of Vatican City, a city with the status and diplomatic immunity of a sovereign nation. Krespi was given a position as Curator of Art for the Vatican Achieves, a position far above his humble rank as Novitiate.
His position made him responsible for cataloging a collection of art worth billions of dollars. He would also have been in a position to receive priceless art collections, similar to those that had been looted by the Nazis and somehow fell into the hands of the Vatican after the war.
In 1956, Krespi was sent as a priest to the town of Cuence in Ecuador. A town known to Nazis Hunters as a hideout of Martin Borman and other high level



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Sigurno svaki dan visiš u crkvi... 