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Understanding Chord Progressions For Guitar
66 page pdf - 6.9MB
Chords, by themselves, have about as much value
as words in a dictionary; words take on more meaning
when they are used in sentences, and chords take on
more meaning when they are used in progressions.
Just as a story is made up of sentences, the harmony
of a song is made up of progressions.
In this book you will learn some of the more frequently used
progressions in folk, blues, pop and jazz.
Contains:
Introduction
Chords of Rest
Chords of Movement
The V-I Progression
The II-V Progression
The II-V-I Progression
The I-IV-V Blues Progression
Variations on the Blues Progression
The I-VI-II-V Progression
Some Jazzier Chords (I Chords; V Chords; II Chords)
Playing The II-V Progression with Jazz Chords
II-V-I with Jazz Chords
The I-VI-II-V Progression with Jazz Chords
The Cycle
Extending and Altering The I Chord
Extending and Altering the V Chord
Extending and Altering the II Minor Chords
Dressing Up Your Progressions
Chord Substitution
The Tritone Substitution
Changing Chord Quality
Substituting the III Chord for the I Chord
Combining Substitutions
Chords with the 5th in the Bass
Chords with the b5 in the Bass
Moving Lines in the Bass
Moving Lines in the Top Voice
The Harmonized Major Scale
Improving the Weak Progression
Fill-In Chords
Chromatic Passing Chords
The Diminished 7 Chord
The Half-Step-Approach Chord
Modulations
Introductions
Tag Endings
The Turnaround
Back to the Blues
Bebop Blues Variation
Another Blues Variation
Chord Suspensions
Playing the Minor II-V-I
The Im-Im(maj7)-Im7-Im6
Substitute for II-V
Three-Note Chords
Playing the II-V-I Progression with Three-Note Chords
II-V Chords in Cycle Movement
Three-Note Chord Forms for Im-Im(maj7)-Im7-Im6
The Im-Im+-Im6 Chord Sequence
66 page pdf - 6.9MB
Chords, by themselves, have about as much value
as words in a dictionary; words take on more meaning
when they are used in sentences, and chords take on
more meaning when they are used in progressions.
Just as a story is made up of sentences, the harmony
of a song is made up of progressions.
In this book you will learn some of the more frequently used
progressions in folk, blues, pop and jazz.
Contains:
Introduction
Chords of Rest
Chords of Movement
The V-I Progression
The II-V Progression
The II-V-I Progression
The I-IV-V Blues Progression
Variations on the Blues Progression
The I-VI-II-V Progression
Some Jazzier Chords (I Chords; V Chords; II Chords)
Playing The II-V Progression with Jazz Chords
II-V-I with Jazz Chords
The I-VI-II-V Progression with Jazz Chords
The Cycle
Extending and Altering The I Chord
Extending and Altering the V Chord
Extending and Altering the II Minor Chords
Dressing Up Your Progressions
Chord Substitution
The Tritone Substitution
Changing Chord Quality
Substituting the III Chord for the I Chord
Combining Substitutions
Chords with the 5th in the Bass
Chords with the b5 in the Bass
Moving Lines in the Bass
Moving Lines in the Top Voice
The Harmonized Major Scale
Improving the Weak Progression
Fill-In Chords
Chromatic Passing Chords
The Diminished 7 Chord
The Half-Step-Approach Chord
Modulations
Introductions
Tag Endings
The Turnaround
Back to the Blues
Bebop Blues Variation
Another Blues Variation
Chord Suspensions
Playing the Minor II-V-I
The Im-Im(maj7)-Im7-Im6
Substitute for II-V
Three-Note Chords
Playing the II-V-I Progression with Three-Note Chords
II-V Chords in Cycle Movement
Three-Note Chord Forms for Im-Im(maj7)-Im7-Im6
The Im-Im+-Im6 Chord Sequence
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