Koji su Vasi omiljeni dijalozi i scene iz filmova?! Koje scene Vam pune oci suzama i koje pamtite?!
Ja cu poceti sa delovima iz Meet Joe Black. Ko se ne seca, Parrish je A. Hopkins, po kojeg je dosla smrt. U filmu se zove Joe, i ulogu tumaci Brad Pitt... secate se tog filma?!
PARRISH
Do you love Drew?
SUSAN
You mean like you loved Mom?
PARRISH
Forget about me and Mom -- are you
going to marry him?
SUSAN
Probably.
A moment.
PARRISH
(smiles)
Don't get carried away.
SUSAN
Uh oh --
PARRISH
Susan, you're a hell of a woman.
You've got a great career, you're
beautiful --
SUSAN
And I'm your daughter and no man
will ever be good enough for me.
PARRISH
Well, I wasn't going to say that --
SUSAN
What were you going to say?
PARRISH
Listen, I'm crazy about the guy --
He's smart, he's aggressive, he
could carry Parrish Communications
into the 21st century and me along
with it.
SUSAN
So what's wrong with that?
PARRISH
That's for me. I'm talking about
you. It's not so much what you say
about Drew, it's what you don't say.
SUSAN
You're not listening --
PARRISH
Oh yes, I am. Not an ounce of
excitement, not a whisper of a
thrill, this relationship has all
the passion of a pair of titmice.
SUSAN
Don't get dirty, Dad --
PARRISH
Well, it worries me. I want you
to get swept away. I want you to
levitate. I want you to sing with
rapture and dance like a dervish.
SUSAN
That's all?
PARRISH
Be deliriously happy. Or at least
leave yourself open to be.
SUSAN
'Be deliriously happy'. I'm going
to do my upmost --
He smiles.
PARRISH
I know it's a cornball thing but
love is passion, obsession, someone
you can't live without. If you
don't start with that, what are you
going to end up with? I say fall
head over heels. Find someone you
can love like crazy and who'll love
you the same way back. And how do
you find him? Forget your head and
listen to your heart. I'm not
hearing any heart.
(a moment)
Run the risk, if you get hurt, you'll
come back. Because, the truth is
there is no sense living your life
without this. To make the journey
and not fall deeply in love -- well,
you haven't lived a life at all.
You have to try. Because if you
haven't tried, you haven't lived.
SUSAN
Bravo.
PARRISH
Aw, you're tough.
SUSAN
I'm sorry. But give it to me again.
The short version.
PARRISH
Stay open. Who knows? Lightning
could strike.
Silence.
PARRISH (cont'd)
Forgive the lecture --
SUSAN
I won't. And when I tell Drew about
it, he won't either.
PARRISH
You won't tell him, and even if you
did, he'd clock it and punch it into
his laptop in order to pull out some
key phrases when he gives the
Commencement Speech at Wharton.
SUSAN
You're terrible.
PARRISH
I know. But I'm the only father
you've got.
She kisses him on the cheek.
_______________________________________________
The Young Man hangs up, turns around and sits down to an
overflowing plate of eggs and meat, potatoes and toast, the
counterman refills his cup and the Young Man ties into the
breakfast, eating it with such relish that Susan can't take
her eyes off him. He senses her eyes, glances over, his
cheeks filled with a mouthful of food, swallows embarrassedly.
YOUNG MAN
Good morning, I was talking kind of
loud there, sorry.
SUSAN
Not at all. It was fascinating.
YOUNG MAN
Oh yeah? What was 'fascinating'
about it?
SUSAN
You and 'Honey'?
YOUNG MAN
My kid sister. She just broke up
with her boyfriend and she's
thinking about dropping out of
law school.
SUSAN
I'm sorry --
YOUNG MAN
Nothing to be sorry about. That's
the way with men and women, isn't
it?
SUSAN
What's the way?
YOUNG MAN
Nothing lasts.
SUSAN
I agree --
YOUNG MAN
Why?
SUSAN
I was just being agreeable, now I've
got to explain why?
YOUNG MAN
I'm not trying to sharpshoot you,
but that 'nothing lasts' stuff,
that's what was the trouble with
Honey's guy. He was fooling around
and Honey caught him at it. One
girlfriend wasn't enough for him.
SUSAN
So you're a one-girl guy?
YOUNG MAN
Damn right. Looking for her right
now. Who knows? You might be her.
Susan laughs.
YOUNG MAN (cont'd)
Well, don't laugh. I just arrived
in town, got a new job -- I'm trying
to get into this apartment. You a
doctor?
SUSAN
How'd you know?
YOUNG MAN
Everybody's a doctor around here.
This apartment house is all green
pajamas and slippers. The guy I'm
waiting for to vacate is a doctor.
What kind of doctor?
SUSAN
Me? Internal medicine.
The Young Man smiles.
YOUNG MAN
So if I needed a doctor, you could
be it?
SUSAN
I could be her.
YOUNG MAN
'Her'.
A moment.
SUSAN
Yes, I could.
(a moment)
I have an office in the hospital.
YOUNG MAN
-- This is my lucky day. I arrive
in this big bad city and I not only
find a doctor, a beautiful woman as
well.
Susan looks into her coffee.
YOUNG MAN (cont'd)
I'm sorry, you mind my saying that?
SUSAN
Not at all.
YOUNG MAN
How 'bout another cup of coffee?
SUSAN
I've got patients coming in --
YOUNG MAN
And I want to get into my apartment
and go to work. Please, what do you
say, another cup of coffee?
Two pots are warming behind the counter, he reaches over and
refills her cup and his. Pushes a container and pitcher to-
wards her.
YOUNG MAN (cont'd)
I see you use lots of sugar and
cream. Me, too...
They smile at each other, fix up their coffee.
___________________________________________________
INT. CORINTH COFFEE SHOP, YORK AVENUE, DAY
The place has cleared out now, the counterman busy bussing
tables laden with dishes and cups, Susan and the Young Man
are still at the counter, but about to leave.
YOUNG MAN
...It's kind of a pro bono job.
SUSAN
'Pro bono'. That means doing good
-- Going to be doing good all your
life?
YOUNG MAN
I know what you're saying. Doesn't
pay very well. Depends on the woman
I marry. Maybe she'd like a bigger
house, a better car, lotsa kids,
college doesn't come cheap --
SUSAN
You'd give up what you want for the
woman you marry?
YOUNG MAN
I would.
Susan rises now, the Young Man with her, leaving money for
their checks they head for the door.
YOUNG MAN (cont'd)
If I married you, I'd want to give
you what you wanted, I know it's
old fashioned and all that, but
what's wrong with taking care of a
woman? She takes care of you.
SUSAN
You'll have a hard time finding a
woman like that these days --
YOUNG MAN
You never know. Lightning could
strike.
Susan at the door now, pauses abruptly, her eyes on the
Young Man.
EXT. CORINTH COFFEE SHOP, YORK AVENUE - DAY
The Young Man holds the door for Susan as they step out
onto the street.
Susan is staring at him now, he smiles, all open and
vulnerable.
SUSAN
I've got to go --
YOUNG MAN
Did I say something wrong?
SUSAN
No, it was so right it scares me.
YOUNG MAN
I've been thinking... I don't want
you to be my doctor. Because I
don't want you to examine me.
SUSAN
Why?
YOUNG MAN
Because I like you so much.
(a moment)
You have coffee here every morning,
don't you? If I came by, could you
give me the name of a doctor?
Another moment.
SUSAN
Sure, I'll give you the name of a
doctor.
(a moment)
...And I don't want to examine you.
YOUNG MAN
Why not?
SUSAN
Because I like you so much. Now
I've got to go.
She hurries away down the sidewalk, the Young Man watching
her. Now he turns and starts off in the opposite direction.
ANOTHER ANGLE - SUSAN
She looks back at the Young Man, then turns and walks on.
ANOTHER ANGLE - THE YOUNG MAN
He looks back at Susan as the distance between them widens,
now he turns and walks on.
ON SUSAN
She looks around once more but the Young Man is still headed
in the opposite direction, his back to her. She turns the
corner and continues on.
ON THE YOUNG MAN
Approaching the corner, he looks back for Susan yet again,
but she is gone, still turned he steps off into the street
and a hospital supplies truck, speeding down the curb lane,
HITS HIM BROADSIDE, a horrific impact, the THUD echoes as
his body arcs through the air.
Another sickening THUD as it lands, the Young Man lies
crumpled, still.
_________________________________________________
QUINCE (cont'd)
(to Joe)
Red or white?
JOE
No, thank you.
Quince sips the red, now the white, now he pours some of
each into one glass.
QUINCE
C'mon, have a drink. You look like
you need one bad as me.
JOE
Do I? I'm a little confused.
QUINCE
Confused, huh? About what?
JOE
Love.
QUINCE
'Love'? Oh, man, I've got troubles
of my own.
JOE
You love Allison, don't you?
QUINCE
Oh yes, I do.
JOE
How did you meet?
QUINCE
I was a world-class loser and she
was a happy, little rich girl --
and for some reason she took me in.
JOE
But she loves you?
Quince smiles, nods embarrassedly.
JOE (cont'd)
How do you know?
QUINCE
Because there's nothing we don't
know about each other and it's okay.
I mean the deeper, darkest secrets
-- they don't matter.
JOE
'The deepest, darkest secrets --'?
QUINCE
Yeah, it's like you know every inch
of each other's souls -- and then
you're free.
JOE
What do you mean 'free'?
QUINCE
Free to love each other. Com-
pletely. Totally. No fear.
Quince seems uncharacteristically within himself.
QUINCE (cont'd)
All that hoopla up there reminds me
how I will never measure up to a man
like Bill Parrish - or his daughter.
He drains his wine.
QUINCE (cont'd)
Do you like me, Joe?
JOE
Oh yes, you are one of my favorites.
QUINCE
What would you say if you knew
it was me who brought down Bill
Parrish?
(a moment)
I told Drew and the Board that Bill
depended on you. Drew led me on,
but I had no business telling him
in the first place. He was setting
up Bill from day one. Drew and
Bontecou are going to chop up the
company and sell it off for parts.
Bontecou was outside, Drew was Mr.
Inside. And I was the fool who made
it all happen. Oh God, what do I do?
Joe regards Quince.
JOE
Go to Bill Parrish and tell him
everything. He'll forgive you.
Quince drains one more glass of wine.
QUINCE
You think so? How do you know?
JOE
Because that's the kind of man Bill
Parrish is.
A moment.
QUINCE
Well, maybe... I guess you know him
better than anybody.
Another moment.
JOE
-- Getting to.
The orchestra behind them plays a few riffs, sound checks,
getting close.
QUINCE
Do you think I should wait to tell
him 'till after the party?
JOE
No.
Quince nods anxiously, then smiles gratefully. They look on
as the pre-party activities swirl on around them.
__________________________________________
JOE
I love her, Bill. She is all that
I ever wanted, and I've never wanted
for anything because I've never
wanted anything before, if you can
understand.
PARRISH
How perfect for you -- to take
whatever you want because it
pleases you. It's not love --
JOE
Then what is it?
PARRISH
Some aimless infatuation in which,
for the moment, you feel like in-
dulging. It's missing everything
that matters.
JOE
Which is what?
PARRISH
Trust, responsibility, taking the
weight, for your choices and feel-
ings and spending the rest of your
life living up to them. And above
all, not hurting the object of your
love.
JOE
So that's what love is?
PARRISH
Multiply it by infinity and take it
to the death of forever and you will
still have barely a glimpse of what
I am talking about.
JOE
Those were my words, Bill.
PARRISH
Well, they're mine now.
Joe is silent for a moment, cogitating.
JOE
Susan wants to come. She says she's
in love with me.
PARRISH
With you?! Who is 'you'? Did you
tell her who you are?
Ja cu poceti sa delovima iz Meet Joe Black. Ko se ne seca, Parrish je A. Hopkins, po kojeg je dosla smrt. U filmu se zove Joe, i ulogu tumaci Brad Pitt... secate se tog filma?!
PARRISH
Do you love Drew?
SUSAN
You mean like you loved Mom?
PARRISH
Forget about me and Mom -- are you
going to marry him?
SUSAN
Probably.
A moment.
PARRISH
(smiles)
Don't get carried away.
SUSAN
Uh oh --
PARRISH
Susan, you're a hell of a woman.
You've got a great career, you're
beautiful --
SUSAN
And I'm your daughter and no man
will ever be good enough for me.
PARRISH
Well, I wasn't going to say that --
SUSAN
What were you going to say?
PARRISH
Listen, I'm crazy about the guy --
He's smart, he's aggressive, he
could carry Parrish Communications
into the 21st century and me along
with it.
SUSAN
So what's wrong with that?
PARRISH
That's for me. I'm talking about
you. It's not so much what you say
about Drew, it's what you don't say.
SUSAN
You're not listening --
PARRISH
Oh yes, I am. Not an ounce of
excitement, not a whisper of a
thrill, this relationship has all
the passion of a pair of titmice.
SUSAN
Don't get dirty, Dad --
PARRISH
Well, it worries me. I want you
to get swept away. I want you to
levitate. I want you to sing with
rapture and dance like a dervish.
SUSAN
That's all?
PARRISH
Be deliriously happy. Or at least
leave yourself open to be.
SUSAN
'Be deliriously happy'. I'm going
to do my upmost --
He smiles.
PARRISH
I know it's a cornball thing but
love is passion, obsession, someone
you can't live without. If you
don't start with that, what are you
going to end up with? I say fall
head over heels. Find someone you
can love like crazy and who'll love
you the same way back. And how do
you find him? Forget your head and
listen to your heart. I'm not
hearing any heart.
(a moment)
Run the risk, if you get hurt, you'll
come back. Because, the truth is
there is no sense living your life
without this. To make the journey
and not fall deeply in love -- well,
you haven't lived a life at all.
You have to try. Because if you
haven't tried, you haven't lived.
SUSAN
Bravo.
PARRISH
Aw, you're tough.
SUSAN
I'm sorry. But give it to me again.
The short version.
PARRISH
Stay open. Who knows? Lightning
could strike.
Silence.
PARRISH (cont'd)
Forgive the lecture --
SUSAN
I won't. And when I tell Drew about
it, he won't either.
PARRISH
You won't tell him, and even if you
did, he'd clock it and punch it into
his laptop in order to pull out some
key phrases when he gives the
Commencement Speech at Wharton.
SUSAN
You're terrible.
PARRISH
I know. But I'm the only father
you've got.
She kisses him on the cheek.
_______________________________________________
The Young Man hangs up, turns around and sits down to an
overflowing plate of eggs and meat, potatoes and toast, the
counterman refills his cup and the Young Man ties into the
breakfast, eating it with such relish that Susan can't take
her eyes off him. He senses her eyes, glances over, his
cheeks filled with a mouthful of food, swallows embarrassedly.
YOUNG MAN
Good morning, I was talking kind of
loud there, sorry.
SUSAN
Not at all. It was fascinating.
YOUNG MAN
Oh yeah? What was 'fascinating'
about it?
SUSAN
You and 'Honey'?
YOUNG MAN
My kid sister. She just broke up
with her boyfriend and she's
thinking about dropping out of
law school.
SUSAN
I'm sorry --
YOUNG MAN
Nothing to be sorry about. That's
the way with men and women, isn't
it?
SUSAN
What's the way?
YOUNG MAN
Nothing lasts.
SUSAN
I agree --
YOUNG MAN
Why?
SUSAN
I was just being agreeable, now I've
got to explain why?
YOUNG MAN
I'm not trying to sharpshoot you,
but that 'nothing lasts' stuff,
that's what was the trouble with
Honey's guy. He was fooling around
and Honey caught him at it. One
girlfriend wasn't enough for him.
SUSAN
So you're a one-girl guy?
YOUNG MAN
Damn right. Looking for her right
now. Who knows? You might be her.
Susan laughs.
YOUNG MAN (cont'd)
Well, don't laugh. I just arrived
in town, got a new job -- I'm trying
to get into this apartment. You a
doctor?
SUSAN
How'd you know?
YOUNG MAN
Everybody's a doctor around here.
This apartment house is all green
pajamas and slippers. The guy I'm
waiting for to vacate is a doctor.
What kind of doctor?
SUSAN
Me? Internal medicine.
The Young Man smiles.
YOUNG MAN
So if I needed a doctor, you could
be it?
SUSAN
I could be her.
YOUNG MAN
'Her'.
A moment.
SUSAN
Yes, I could.
(a moment)
I have an office in the hospital.
YOUNG MAN
-- This is my lucky day. I arrive
in this big bad city and I not only
find a doctor, a beautiful woman as
well.
Susan looks into her coffee.
YOUNG MAN (cont'd)
I'm sorry, you mind my saying that?
SUSAN
Not at all.
YOUNG MAN
How 'bout another cup of coffee?
SUSAN
I've got patients coming in --
YOUNG MAN
And I want to get into my apartment
and go to work. Please, what do you
say, another cup of coffee?
Two pots are warming behind the counter, he reaches over and
refills her cup and his. Pushes a container and pitcher to-
wards her.
YOUNG MAN (cont'd)
I see you use lots of sugar and
cream. Me, too...
They smile at each other, fix up their coffee.
___________________________________________________
INT. CORINTH COFFEE SHOP, YORK AVENUE, DAY
The place has cleared out now, the counterman busy bussing
tables laden with dishes and cups, Susan and the Young Man
are still at the counter, but about to leave.
YOUNG MAN
...It's kind of a pro bono job.
SUSAN
'Pro bono'. That means doing good
-- Going to be doing good all your
life?
YOUNG MAN
I know what you're saying. Doesn't
pay very well. Depends on the woman
I marry. Maybe she'd like a bigger
house, a better car, lotsa kids,
college doesn't come cheap --
SUSAN
You'd give up what you want for the
woman you marry?
YOUNG MAN
I would.
Susan rises now, the Young Man with her, leaving money for
their checks they head for the door.
YOUNG MAN (cont'd)
If I married you, I'd want to give
you what you wanted, I know it's
old fashioned and all that, but
what's wrong with taking care of a
woman? She takes care of you.
SUSAN
You'll have a hard time finding a
woman like that these days --
YOUNG MAN
You never know. Lightning could
strike.
Susan at the door now, pauses abruptly, her eyes on the
Young Man.
EXT. CORINTH COFFEE SHOP, YORK AVENUE - DAY
The Young Man holds the door for Susan as they step out
onto the street.
Susan is staring at him now, he smiles, all open and
vulnerable.
SUSAN
I've got to go --
YOUNG MAN
Did I say something wrong?
SUSAN
No, it was so right it scares me.
YOUNG MAN
I've been thinking... I don't want
you to be my doctor. Because I
don't want you to examine me.
SUSAN
Why?
YOUNG MAN
Because I like you so much.
(a moment)
You have coffee here every morning,
don't you? If I came by, could you
give me the name of a doctor?
Another moment.
SUSAN
Sure, I'll give you the name of a
doctor.
(a moment)
...And I don't want to examine you.
YOUNG MAN
Why not?
SUSAN
Because I like you so much. Now
I've got to go.
She hurries away down the sidewalk, the Young Man watching
her. Now he turns and starts off in the opposite direction.
ANOTHER ANGLE - SUSAN
She looks back at the Young Man, then turns and walks on.
ANOTHER ANGLE - THE YOUNG MAN
He looks back at Susan as the distance between them widens,
now he turns and walks on.
ON SUSAN
She looks around once more but the Young Man is still headed
in the opposite direction, his back to her. She turns the
corner and continues on.
ON THE YOUNG MAN
Approaching the corner, he looks back for Susan yet again,
but she is gone, still turned he steps off into the street
and a hospital supplies truck, speeding down the curb lane,
HITS HIM BROADSIDE, a horrific impact, the THUD echoes as
his body arcs through the air.
Another sickening THUD as it lands, the Young Man lies
crumpled, still.
_________________________________________________
QUINCE (cont'd)
(to Joe)
Red or white?
JOE
No, thank you.
Quince sips the red, now the white, now he pours some of
each into one glass.
QUINCE
C'mon, have a drink. You look like
you need one bad as me.
JOE
Do I? I'm a little confused.
QUINCE
Confused, huh? About what?
JOE
Love.
QUINCE
'Love'? Oh, man, I've got troubles
of my own.
JOE
You love Allison, don't you?
QUINCE
Oh yes, I do.
JOE
How did you meet?
QUINCE
I was a world-class loser and she
was a happy, little rich girl --
and for some reason she took me in.
JOE
But she loves you?
Quince smiles, nods embarrassedly.
JOE (cont'd)
How do you know?
QUINCE
Because there's nothing we don't
know about each other and it's okay.
I mean the deeper, darkest secrets
-- they don't matter.
JOE
'The deepest, darkest secrets --'?
QUINCE
Yeah, it's like you know every inch
of each other's souls -- and then
you're free.
JOE
What do you mean 'free'?
QUINCE
Free to love each other. Com-
pletely. Totally. No fear.
Quince seems uncharacteristically within himself.
QUINCE (cont'd)
All that hoopla up there reminds me
how I will never measure up to a man
like Bill Parrish - or his daughter.
He drains his wine.
QUINCE (cont'd)
Do you like me, Joe?
JOE
Oh yes, you are one of my favorites.
QUINCE
What would you say if you knew
it was me who brought down Bill
Parrish?
(a moment)
I told Drew and the Board that Bill
depended on you. Drew led me on,
but I had no business telling him
in the first place. He was setting
up Bill from day one. Drew and
Bontecou are going to chop up the
company and sell it off for parts.
Bontecou was outside, Drew was Mr.
Inside. And I was the fool who made
it all happen. Oh God, what do I do?
Joe regards Quince.
JOE
Go to Bill Parrish and tell him
everything. He'll forgive you.
Quince drains one more glass of wine.
QUINCE
You think so? How do you know?
JOE
Because that's the kind of man Bill
Parrish is.
A moment.
QUINCE
Well, maybe... I guess you know him
better than anybody.
Another moment.
JOE
-- Getting to.
The orchestra behind them plays a few riffs, sound checks,
getting close.
QUINCE
Do you think I should wait to tell
him 'till after the party?
JOE
No.
Quince nods anxiously, then smiles gratefully. They look on
as the pre-party activities swirl on around them.
__________________________________________
JOE
I love her, Bill. She is all that
I ever wanted, and I've never wanted
for anything because I've never
wanted anything before, if you can
understand.
PARRISH
How perfect for you -- to take
whatever you want because it
pleases you. It's not love --
JOE
Then what is it?
PARRISH
Some aimless infatuation in which,
for the moment, you feel like in-
dulging. It's missing everything
that matters.
JOE
Which is what?
PARRISH
Trust, responsibility, taking the
weight, for your choices and feel-
ings and spending the rest of your
life living up to them. And above
all, not hurting the object of your
love.
JOE
So that's what love is?
PARRISH
Multiply it by infinity and take it
to the death of forever and you will
still have barely a glimpse of what
I am talking about.
JOE
Those were my words, Bill.
PARRISH
Well, they're mine now.
Joe is silent for a moment, cogitating.
JOE
Susan wants to come. She says she's
in love with me.
PARRISH
With you?! Who is 'you'? Did you
tell her who you are?
Gde si, breeee??
